Shady Groove

It was on January 15, 1994 that we lost this immensely talented musician.

Ahhhh… what to say about such an intense superstar. Such a tragic story, really, of a gifted artist, musician, bacchanal, father, husband, man, whose angelic voice and thoughtful, witty songwriting managed to capture the musical world in the early 1970’s.

Here’s a little background on this exceptional character:

From a very young age Harry was forced to find his way on his own. His father abandoned the family early on which led to a confidence, need for harry to do things his own way. Always the gifted lyricist, Harry worked his way into the music industry through his songwriting, writing songs for artists such as the Ronnettes, Little Richard, The Yardbirds, The Monkeys, and Three Dog Night.

He was friendly with all of the Beatles, most likely because of their proclamation at a press conference that he was their favorite American artist. This was a huge accolade at the time for Harry who was generally an unknown. Ringo was also a close friend of Harry’s, later becoming the best man at his wedding.

Fortunately, and unfortunately, much of Nilsson’s notoriety stems from a stint in the mid 70’s in which Nilsson hung out and was a drinking buddy of then ex Beatle and recently separated, John Lennon. Fortunately, because Lennon played an important part in Nilsson’s future recording career. Unfortunately because Nilsson was a much more talented musician to simply be known for his friendship with the Beatles. Now, the part about him being known as an excellent drinking buddy…..much more spot on.

And oh yes, did Nilsson like to party. His bacchanalian lifestyle was widely known, especially to his pals in the music industry. Friends of his are known to dread getting ‘the call’ from Harry, who would normally be on a bender of epic proportions, citing that they would need to block off 3 or 4 days of their time if they wanted to be able to party with him.

Throughout the years, from when Harry began in the early 1960’s, to his dark years where he had a ‘death-wish’, through his eccentricities and much of the debauchery that followed him around, there has been a slight shroud of mystery over his career. Much of this mystery stems from the fact that he never performed live. Besides a few TV appearances and BBC sessions, he never wanted to tour. His RCA office phone would ring off the hook with inquiries of his touring schedule. It is said that he would answer the calls himself, taking the callers by surprise. He later recalled candidly answering the questions, saying that a typical conversation would sound something like this:

“When did you play last?” “I didn’t.” “Where have you played before?” “I haven’t.” “When will you be playing next?” “I don’t.”

But lets stick to the music. I think it is safe to say that Harry Nilsson has put his stamp on modern rock and roll. The songs that he has written and performed have paved his way into rocks legacy. Songs like “One”, which Three Dog Night took into the top 10 in 1969, Midnight cowboy’s “Everybody’s Talkin”, the calypso-tinged, quasi-musical-drama, “Coconut” (later used in Quentin Tarantino’s Reservoir Dogs), as well as “Jump Into The Fire” (used in Goodfellas). Although he never performed any of them live, they remain classics in the truest sense of the word. He recorded several albums throughout his career with the pinnacle being Nilsson Schmilsson, perhaps one of the best albums of all time. Definitely top 10 for me.

What I really love about Harry was his refusal to be grouped into any sort of genre or category. His works constantly push the envelope between rock and pop, folk and country, alternative and world rhythms. Although he stayed closest to both rock and roll and pop music, his allegiance belonged to none. He was The Musical Maverick. It’s evident that Harry did not care what people thought. He wanted sole artistic control and for the most part he got it. The fact that he never played live shows manifests this more than anything. He had no interest in giving the people what they want. Harry simply did what he wanted. Artistic satisfaction reigned supreme, leaving commercial approval in the background. There are only a handful of music greats that you can say that about. Most artists crack under the pressure of fans requests, the pressure to put out a popular album, the pressure to perform and perform well. Throughout musical history these pressures has sent great artists into exile (Brian Wilson), and has driven many to insanity, drug use and death (Jimi Hendrix). The best comparison I can make to this indifferent, hardheaded approach to recording is Bob Dylan, who I believe is still around because of his indifference to his fans wants. This refusal to care what people think, although it took him into some uncharted and odd territory was one of his most appealing characteristics.

He was a renegade. A rebel. An individualist of epic proportions. We lost the man simply known as Nilsson. Fortunately for us, music does not die. His warm, quirky, playful, witty, bittersweet music lives on, and will continue to impress myself and the world. Though he endured many hardships and tragedy throughout is life, he maintained a positive outlook. Preach on Harry.

“I do believe that most men live lives of quiet desperation. For despair, optimism is the only practical solution. Hope is practical. Because eliminate that and it’s pretty scary. Hope at least gives you the option of living.” HN

Thought I’d give a shout out today to the late Mr. Joe Strummer, lead singer and guitarist from the British punk rock outfit, The Clash. On this date 8 years ago we lost this exceptional musician.

Those that are familiar with The Clash know that calling them simply a punk rock band would be an understatement. Their music incorporated elements of reggae, ska, dub, funk, rap, dance, and rockabilly. Joe, along with Paul Simonon, Mick Jones, and Nicky Headon created the rebellious attitude and musical experimentation that had a profound influence on alternative rock. They were dubbed, and widely referred to as “The Only Band That Matters”. Their landmark album, London Calling, brought them to popularity in the US in 1979 and has been widely considered as the best album of the 1980’s. Being a child of the 80’s, I agree 100%.

In 2003, the band was inducted to the Rock n Roll Hall of Fame. At the band’s induction, the Clash was said to be “considered one of the most overtly political, explosive and exciting bands in rock and roll history.” In 2004 Rolling Stone ranked them #30 on their list of 100 Greatest Artists of all Time.

Though the band many different musical elements, it is the dub/reggae sounds that really turned me on initially. The incorporation of reggae ‘riddims’ in such a puck rock atmosphere is intoxicating. Check out this cover of the classic Junior Murvin song, Police and Theives. It is found on their debut album, The Clash. enjoy.

So hats off to Joe Strummer. The man behind the genius of The Clash. You will always be missed.